3 thoughts on “What is the meaning of Baoshanghua”
Floyd
Bao Xianghua is a decorative pattern with the meaning of "treasure" and "immortal". This is generally composed of some kinds of flowers (such as peony and lotus) as the main body, with different shapes and other flower leaves in the middle with different shapes and sizes. Especially at the base of the flower core and petals, the beads are arranged as rules, like the glittering orb, with a multi -layered rejuvenation, which looks rich and precious, hence the name "Bao Xianghua". Extension information The flower pattern is a type of traditional Chinese decorative pattern. It is a pattern pattern that summarizes the perfect deformation of petals, buds, and leaves from the natural image. In from the flower shape, in addition to lotus flowers, the characteristics of the Phantom flower also have the characteristics of peony flowers. The multi -level arrangement of petals makes the pattern have a graceful and gorgeous beauty. This pattern is also known as the Bao Xianghua. After the Sui and Tang dynasties, the flowers of the treasures were widely popular in the decoration of brocade, bronze mirrors, and porcelain, which contained auspicious and happy morals. It is a pattern pattern with unique national characteristics. Reference information Source: Baidu Encyclopedia-Baofei Flower (Traditional auspicious pattern)
Bao Xianghua is also known as Baoxianhua and Bao Lotus. One of the three treasures of auspiciousness; prevailing in the Sui and Tang dynasties in China. According to legend, it is a decorative pattern with the meaning of "treasure" and "immortal". The decoration composition is generally composed of some kinds of flowers (such as peony and lotus) as the main body, with different shapes and other flower and leaves in the middle with different shapes and size. Especially at the base of the flower core and petals, the beads are arranged as rules, like the glittering orb, with a multi -layered rejuvenation, which looks rich and precious, hence the name "Bao Xianghua". In all aspects of gold and silver, Dunhuang patterns, stone carvings, fabrics, embroidery and other aspects, there are common patterns. The characteristic: The flower pattern is a type of traditional Chinese decorative pattern in ancient Chinese. It is a perfect deformation of flowers, buds, and leaves from the natural image. Essence This method of processing deformation is inseparable from the inspiration of the fine gold technology embedded with gold and silver jewelry since the Wei, Jin, and Northern and Southern Dynasties. In the decoration of the Bronze in the Warring States Period, the pattern of patterned patterns appeared. Blossoms are obvious examples. The gold and silver wares of Wei, Jin, Sui, and Tang often use the rich flowers as the specimen, and use jewelry to be embedded into rich and luxurious treasure jewelry on the contour lines of the petals, the center of the flower heart center and the outline of the flower heart. In the Tang Dynasty's treasure flower patterns, the coloring method of the coloring method also absorbed the faint method of Buddhist art. It changes in a shallow set and deepen, and the shape uses the format of the symmetrical radiation shape to make the flowers bloom, semi -open, bud with buds. The combination of buds, flowers and leaves, etc., forms more beautiful and rich ideal flowers than natural images -that is, the commonly referred to. Tang Dynasty treasure phase flowers are very popular decorative themes. They are widely used in various silk fabrics, crafts and architectural decorations, and the formal changes are also very rich. Baolian, Tibetan called "Bai Ma". It is a symbol of Buddhist classics and Buddhist art that often refer to and seen, and take the meaning of "the world of five turbidity, no pollution", symbolizing the purity of the Dharma. According to legend, when Shakyamuni was born, he stood on the lotus, and after the road, he took the north, walked around the tree, and one lotus. When the missionary of Shakyamuni Buddha was missionary, he sat in the lotus seat. His hands were "open like a lotus". Buddhism admires the four virtues of the lotus, pure, soft, and cute. It is considered a mascot. This kind of admiration for lotus flowers is reflected in all aspects of Buddhist culture and becomes a symbol of beauty.
One of the traditional decorative patterns in my country, also known as "Baoxianhua" and "Baohuahua". Prevalent in the Sui and Tang dynasties. According to legend, it is a decorative pattern with the meaning of "treasure" and "immortal". The decoration composition is generally composed of some kinds of flowers (such as peony and lotus) as the main body, with different shapes and other flower and leaves in the middle with different shapes and size. Especially at the base of the flower core and petals, the beads are arranged as rules, like the glittering orb, with a multi -layered rejuvenation, which looks rich and precious, hence the name "Bao Xianghua". In all aspects of gold and silver, Dunhuang patterns, stone carvings, fabrics, embroidery and other aspects, there are common patterns. The theme of Chinese decoration is mainly based on the decorations of animals and geometric figures. Starting from the Wei, Jin, and Northern and Southern Dynasties, under the influence of Buddhist decoration art, the decoration of plant and flower themes penetrated into almost all art fields including ceramic decoration, architectural decoration and metal utensil decoration. Buddhism has regarded lotus as a symbol of holy and auspiciousness. Since the Northern and Southern Dynasties, lotus patterns have been applied in a large number of cave decorative arts. During the Northern Dynasties, the lotus pattern of the Northern Dynasties is mainly based on realistic shapes. It is more selected to show the angle of the front. The development of this pattern has evolved to the Sui and Tang dynasties, and the shape is fuller. From the perspective of the flower shape, in addition to the lotus, there is also the characteristics of peony flowers. The multi -level arrangement of petals makes the pattern have a graceful and gorgeous beauty. This pattern is also known as the Bao Xianghua. After the Sui and Tang dynasties, the flowers of the treasures were widely popular in the decoration of brocade, bronze mirrors, and porcelain, which contained auspicious and happy morals. It is a pattern pattern with unique national characteristics. 07 Cultural Cadre's rank symbol also uses this six -petal treasure.
Bao Xianghua is a decorative pattern with the meaning of "treasure" and "immortal".
This is generally composed of some kinds of flowers (such as peony and lotus) as the main body, with different shapes and other flower leaves in the middle with different shapes and sizes. Especially at the base of the flower core and petals, the beads are arranged as rules, like the glittering orb, with a multi -layered rejuvenation, which looks rich and precious, hence the name "Bao Xianghua".
Extension information
The flower pattern is a type of traditional Chinese decorative pattern. It is a pattern pattern that summarizes the perfect deformation of petals, buds, and leaves from the natural image.
In from the flower shape, in addition to lotus flowers, the characteristics of the Phantom flower also have the characteristics of peony flowers. The multi -level arrangement of petals makes the pattern have a graceful and gorgeous beauty. This pattern is also known as the Bao Xianghua. After the Sui and Tang dynasties, the flowers of the treasures were widely popular in the decoration of brocade, bronze mirrors, and porcelain, which contained auspicious and happy morals. It is a pattern pattern with unique national characteristics.
Reference information Source: Baidu Encyclopedia-Baofei Flower (Traditional auspicious pattern)
Bao Xianghua is also known as Baoxianhua and Bao Lotus. One of the three treasures of auspiciousness; prevailing in the Sui and Tang dynasties in China. According to legend, it is a decorative pattern with the meaning of "treasure" and "immortal". The decoration composition is generally composed of some kinds of flowers (such as peony and lotus) as the main body, with different shapes and other flower and leaves in the middle with different shapes and size. Especially at the base of the flower core and petals, the beads are arranged as rules, like the glittering orb, with a multi -layered rejuvenation, which looks rich and precious, hence the name "Bao Xianghua". In all aspects of gold and silver, Dunhuang patterns, stone carvings, fabrics, embroidery and other aspects, there are common patterns.
The characteristic:
The flower pattern is a type of traditional Chinese decorative pattern in ancient Chinese. It is a perfect deformation of flowers, buds, and leaves from the natural image. Essence
This method of processing deformation is inseparable from the inspiration of the fine gold technology embedded with gold and silver jewelry since the Wei, Jin, and Northern and Southern Dynasties. In the decoration of the Bronze in the Warring States Period, the pattern of patterned patterns appeared. Blossoms are obvious examples. The gold and silver wares of Wei, Jin, Sui, and Tang often use the rich flowers as the specimen, and use jewelry to be embedded into rich and luxurious treasure jewelry on the contour lines of the petals, the center of the flower heart center and the outline of the flower heart. In the Tang Dynasty's treasure flower patterns, the coloring method of the coloring method also absorbed the faint method of Buddhist art. It changes in a shallow set and deepen, and the shape uses the format of the symmetrical radiation shape to make the flowers bloom, semi -open, bud with buds. The combination of buds, flowers and leaves, etc., forms more beautiful and rich ideal flowers than natural images -that is, the commonly referred to. Tang Dynasty treasure phase flowers are very popular decorative themes. They are widely used in various silk fabrics, crafts and architectural decorations, and the formal changes are also very rich.
Baolian, Tibetan called "Bai Ma". It is a symbol of Buddhist classics and Buddhist art that often refer to and seen, and take the meaning of "the world of five turbidity, no pollution", symbolizing the purity of the Dharma. According to legend, when Shakyamuni was born, he stood on the lotus, and after the road, he took the north, walked around the tree, and one lotus. When the missionary of Shakyamuni Buddha was missionary, he sat in the lotus seat. His hands were "open like a lotus". Buddhism admires the four virtues of the lotus, pure, soft, and cute. It is considered a mascot. This kind of admiration for lotus flowers is reflected in all aspects of Buddhist culture and becomes a symbol of beauty.
One of the traditional decorative patterns in my country, also known as "Baoxianhua" and "Baohuahua". Prevalent in the Sui and Tang dynasties. According to legend, it is a decorative pattern with the meaning of "treasure" and "immortal". The decoration composition is generally composed of some kinds of flowers (such as peony and lotus) as the main body, with different shapes and other flower and leaves in the middle with different shapes and size. Especially at the base of the flower core and petals, the beads are arranged as rules, like the glittering orb, with a multi -layered rejuvenation, which looks rich and precious, hence the name "Bao Xianghua". In all aspects of gold and silver, Dunhuang patterns, stone carvings, fabrics, embroidery and other aspects, there are common patterns.
The theme of Chinese decoration is mainly based on the decorations of animals and geometric figures. Starting from the Wei, Jin, and Northern and Southern Dynasties, under the influence of Buddhist decoration art, the decoration of plant and flower themes penetrated into almost all art fields including ceramic decoration, architectural decoration and metal utensil decoration. Buddhism has regarded lotus as a symbol of holy and auspiciousness. Since the Northern and Southern Dynasties, lotus patterns have been applied in a large number of cave decorative arts. During the Northern Dynasties, the lotus pattern of the Northern Dynasties is mainly based on realistic shapes. It is more selected to show the angle of the front. The development of this pattern has evolved to the Sui and Tang dynasties, and the shape is fuller. From the perspective of the flower shape, in addition to the lotus, there is also the characteristics of peony flowers. The multi -level arrangement of petals makes the pattern have a graceful and gorgeous beauty. This pattern is also known as the Bao Xianghua. After the Sui and Tang dynasties, the flowers of the treasures were widely popular in the decoration of brocade, bronze mirrors, and porcelain, which contained auspicious and happy morals. It is a pattern pattern with unique national characteristics. 07 Cultural Cadre's rank symbol also uses this six -petal treasure.